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ELOQUENTIA FORTITU-
dine praestantior.[1]

Eloquence superior to strength

Arcum leva tenet, rigidam fert dextera clavam,
Contegit & Nemees corpora nuda leo.
Herculis haec igitur facies? non convenit illud,
Quod vetus & senio tempora cana gerit.
Quid quod lingua illi levibus traiecta cathenis,
Queîs fissa facileîs allicit aure viros.
Link to an image of this page  Link to an image of this page  [E6v]An ne quod Alciden lingua non robore Galli,
Praestantem populis iura dedisse ferunt.
Cedunt arma togae,[2] & quamvis durissima corda,
Eloquio pollens ad sua vota trahit.

His left hand holds a bow, his right hand a stout club, the lion of Nemea clothes his bare body. So this is a figure of Hercules. But he is old and his temples grizzled with age - that does not fit. What of the fact that his tongue has light chains passing through it, which are attached to men’s pierced ears, and by them he draws them unresisting along? The reason is surely that the Gauls say that Alceus’ descendant excelled in eloquence rather than might and gave laws to the nations. - Weapons yield to the arts of peace, and even the hardest of hearts the skilled speaker can lead where he will.

Notes:

1.  This epigram is closely based on Lucian’s essay, The Gallic Hercules.

2.  Cf. Cicero’s notorious line, Cedant arma togae, concedat laurea linguae, ‘Let weapons yield to the arts of peace, let laurels yield to eloquence’ (quoted in Quintilian, Institutio oratoria 11.1.24).


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  • ears [31A2213] Search | Browse Iconclass
  • Europeans (with NAME) [32B311(FRENCHMEN)] Search | Browse Iconclass
  • 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa) [48C90] Search | Browse Iconclass
  • Power of Eloquence; 'Forza sottoposta all'Eloquenza' (Ripa) (+ emblematical representation of concept) [52D31(+4)] Search | Browse Iconclass
  • Strength, Power; 'Fortezza', 'Fortezza d'Animo e di corpo', 'Fortezza del corpo congiunta con la generosità dell'animo', 'Fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'Forza' (Ripa) [54A7] Search | Browse Iconclass

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IN ADULATORES.

Flatterers

De Chameleonte vide Plinium naturalis Historia
libro VIII. Cap. XXXIII.

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Semper hiat, semper tenuem qua vescitur aura [=auram] ,
Reciprocat chamaeleon[1].
Et mutat faciem, varios sumitque colores,
Praeter rubrum vel candidum.[2]
Sic & adulator populari vescitur aura,[3]
Hiansque cuncta devorat.
Et solum mores imitatur principis atros.
Albi & pudici nescius.

The Chameleon is always breathing in and out with open mouth the bodiless air on which it feeds; it changes its appearance and takes on various colours, except for red and white. - Even so the flatterer feeds on the wind of popular approval and gulps down all with open mouth. He imitates only the black features of the prince, knowing nothing of the white and pure.

Notes:

1.  This creature was supposed to feed only on air, keeping its mouth wide open to suck it in. See Pliny, Natural History 8.51.122. For the chameleon cf. Erasmus, Parabolae pp.144, 241, 252.

2.  ‘except for red and white’. See Pliny, ib.

3.  ‘the wind of popular approval’. This is a common metaphor in Latin, e.g. Horace, Odes 3.2.20, ‘at the behest of the wind of popular approval.’


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