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Link to an image of this page  Link to an image of this page  [G5v p106]

Mulieris famam non formam
vulgatam esse oportere.

A woman’s reputation, not her beauty, should be known to the world.

Alma Venus quae nam haec facies, quid denotat illa
Testudo, molli quam pede diva premis?
Me sic effinxit Phidias,[1] sexumque referri
Foemineum, nostra iussit ab effigie,
Quodque manere domi, & tacitas decet esse puellas,
Supposuit pedibus talia signa meis.

Kindly Venus, what form is this, what does that tortoise mean, on which, o goddess, your soft feet rest? Phidias fashioned me like this. He intended the female sex to be represented by this image of me. Girls should stay at home and keep silence, and so he put such symbols under my feet.

Notes:

1.  Phidias’ statue of Aphrodite with one foot on a tortoise, set up at Elis, is mentioned by Pausanias, Periegesis 6.25.1. The tortoise is a symbol of ideal female domesticity, as it keeps silent and never leaves its house see Plutarch Coniugalia praecepta 32 (Mor. 142).


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  • Beauty; 'Bellezza' (Ripa) (+ emblematical representation of concept) [51D4(+4)] Search | Browse Iconclass
  • Taciturnity; 'Secretezza', 'Secretezza overo Taciturnità' (Ripa) (+ emblematical representation of concept) [52DD3(+4)] Search | Browse Iconclass
  • Good Behaviour (+ emblematical representation of concept) [57A1(+4)] Search | Browse Iconclass
  • Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ emblematical representation of concept) [59B32(+4)] Search | Browse Iconclass
  • male persons from classical history (with NAME) non-aggressive activities of person from classical history [98B(PHIDIAS)5] Search | Browse Iconclass

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Link to an image of this page  Link to an image of this page  [E8v]

DOCTOS DOCTIS OB-
loqui nefas esse.

It is wicked for scholars to wrangle with other scholars

Link to an image of this page  Link to an image of this page  [F1r]

Quid rapis heu progne vocalem saeva cicadam,
Pignoribusque tuis fercula dira paras?[1]
Ac stridula stridulam[2], vernam verna hospita laedis,
Hospitam, & aligeram penniger ales avem?
Ergo abiice hanc praedam, nam musica pectora summum est,
Alterum ab alterius dente perire nefas.

Alas, Procne, why, cruel bird, do you sieze on the melodious cicada and prepare a dreadful banquet for your young? A whistler yourself, you harm the shrill singer; a summer visitor, you hurt another fine-weather caller; a guest, you harm a guest; a feathered bird, you hurt another winged creature. So let this prize go. It is the greatest sin for hearts devoted to the Muses to perish by one another’s tooth.

Notes:

1.  The reference is to the legend of Procne’s metamorphosis into a swallow. See [A50a070]. For swallows catching cicadas, see Aelian, De natura animalium 8.6.

2.  Textual variant: Stridula stridentem.


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