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Link to an image of this page  Link to an image of this page  [N6v p204]

Fidei symbolum.

The symbol of good faith

Stet depictus Honortyrio velatus amictu,
Eiusque iungat nuda dextram Veritas.
Sitque Amor in medio castus,[1] cui tempora circum
Rosa it, Diones pulchrior Cupidine.[2]
Constituunt haec signa fidem, reverentia Honoris
Quam fovet, alit Amor, parturitque Veritas.

Let Honour stand depicted, clothed in a garment of Tyrian purple, and let naked Truth hold his right hand. Between them, let chaste Love be represented, his brow garlanded with roses, but fairer than Cupid, Dione’s boy. These images constitute good faith, which the reverence due to Honour fosters, Love feeds, Truth brings to birth.

Link to an image of this page  Link to an image of this page  [N7r p205]

La divise de Foy.

Honneur descarlate vestu,
Touchant en main a Verite,
Entre eulx deux amour de vertu.
Qui a lart de Venus quicte.
Lhistoire est de fidelite,
Estant par vray dire produicte,
Damour nourrie en purite,
Et soubz crainte dhonneur conduite.

Notes:

1.  Amor...castus, ‘chaste love’ (Anteros), for which see [A39a072] and [A39a081].

2.  ‘Dione’s boy’. Strictly Dione was the mother of Venus, but was often identified in poetry with Venus herself, the mother of Cupid.


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Link to an image of this page  Link to an image of this page  [E5v]

REMEDIA IN ARDUO MALA.
in prono esse.

Remedies are hard, damage is easy

Link to an image of this page  Link to an image of this page  [E6r]

Aetheriis postquam deiecit sedibus Aten,
Iupiter[1] heu vexat quām mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo litae proles Iovis hanc comitantur euntem,[2]
Sarcturae quicquid fecerit illa mali.
Sed quia segnipedes strabae[3] lassaeque senecta,
Nil nisi post longo tempore restituunt.[4]

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Notes:

1.  ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2.  ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3.  Textual variant: luscae.

4.  The woodcut is puzzling. Possibly the monster is supposed to represent Ate; in later editions she appears as a harpy-like figure. The Litae feature, in later editions, as old women. The old man presumably represents the suffering of mankind.


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  • walking - AA - female human figure [31AA2711] Search | Browse Iconclass
  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass
  • other lesser deities of Heaven ~ destiny, fate, adversity: Litae [92G7(LITAE)] Search | Browse Iconclass

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