Single Emblem View

Link to an image of this page  Link to an image of this page  [N3v p198]

Remedia in arduo, mala in
prono esse.

Remedies are hard, damage is easy

XCII.

Aetheriis postquàm deiecit sedibus Aten
Iuppiter,[1] heu vexat quàm mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo Litae proles Iovis hanc comitantur euntem,[2]
Sarturae quicquid fecerit illa mali.
Sed quia segnipedes, strabae[3], lassaeque senectâ,
Nil nisi pòst longo tempore restituunt.

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Link to an image of this page  Link to an image of this page  [N4r p199]

Maulx viennent promptement,
et biens a difficulté.

XCII.

Attey de Juppiter chassée
Pour nuyre, vola sur la terre.
Et n’y fait pas une passée,
Sans rendre feu, fain, peste, ou guerre.
Lites apres vont, non grand erre,
Car vieilles sont, & mal trotans:
Dont l’on ne peult leur bien acquerre,
Fors apres longue espace, & temps.

Notes:

1.  ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2.  ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3.  Textual variant: luscae.


Related Emblems

Show related emblems Show related emblems

Hint: You can set whether related emblems are displayed by default on the preferences page


Iconclass Keywords

Relating to the image:

Relating to the text:

  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass

Hint: You can turn translations and name underlining on or off using the preferences page.

Single Emblem View

Link to an image of this page  Link to an image of this page  [E5r]

AD IDEM.

The same

Alveolis dum mella legit, percussit amorem,
Furacem mala apes, & summis spicula liquit,
In digitis, tumido gemit at puer ungue [=anxius ungue] .[1]
Et quatit errabundus humum, Venerique dolorem,
Indicat & graviter quaeritur quod apicula parvum
Ipsa inferre animal tam noxia vulnera possit.
Cui ridens Venus, hanc imitaris tu quoque dixit,
Nate feram, qui das tot noxia vulnera parvus.[2]

While he was taking honey from the hives, a vicious bee stung thieving Amor, and left its sting in the end of his finger. The boy in distress cried out as his finger-end swelled up. He ran about, stamping his foot, showed his hurt to Venus, and complained bitterly that a little bee, that tiny creature, could inflict such grievous wounds. Venus smiled at him and said, “You are like this creature, my son; small as you are you deal many a grievous wound”.

Notes:

1.  anxius is added here from the 1534 Paris/Wechel edition onwards. Omission upsets the scansion.

2.  In later editions, this becomes clearly a separate emblem, but here should perhaps more properly be regarded as a second subscriptio for the previous emblem.


Related Emblems

Show related emblems Show related emblems

Hint: You can set whether related emblems are displayed by default on the preferences page


Iconclass Keywords

Relating to the image:

    Relating to the text:

    Hint: You can turn translations and name underlining on or off using the preferences page.

     

    Back to top