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Link to an image of this page  Link to an image of this page  [N3v p198]

Remedia in arduo, mala in
prono esse.

Remedies are hard, damage is easy

XCII.

Aetheriis postquàm deiecit sedibus Aten
Iuppiter,[1] heu vexat quàm mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo Litae proles Iovis hanc comitantur euntem,[2]
Sarturae quicquid fecerit illa mali.
Sed quia segnipedes, strabae[3], lassaeque senectâ,
Nil nisi pòst longo tempore restituunt.

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Link to an image of this page  Link to an image of this page  [N4r p199]

Maulx viennent promptement,
et biens a difficulté.

XCII.

Attey de Juppiter chassée
Pour nuyre, vola sur la terre.
Et n’y fait pas une passée,
Sans rendre feu, fain, peste, ou guerre.
Lites apres vont, non grand erre,
Car vieilles sont, & mal trotans:
Dont l’on ne peult leur bien acquerre,
Fors apres longue espace, & temps.

Notes:

1.  ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2.  ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3.  Textual variant: luscae.


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  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass

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Link to an image of this page  Link to an image of this page  [O2r p211]

Ex pace ubertas.

Prosperity as the result of peace

EMBLEMA CLXXVIII.

Grandibus ex spicis tenues contexe corollas,
Quas circum alterno palmite vitis eat.
His comptae Alcyones[1] tranquilli in marmoris unda
Nidificant, pullos involucresque fovent.
Laetus erit Cereri, Baccho quoque[2] fertilis annus,
AEquorei si rex alitis instar[3] erit.

From fat ears of corn weave supple garlands, and let the vine encircle them with alternating stems. Decked out with these the halcyon birds build their nests on the wave of the glassy sea, and cherish their unfledged chicks. - The year will be rich for Ceres and fertile for Bacchus too, if the king is the image of the bird of the sea.

Notes:

1.  ‘halcyon birds’. For these see Aelian, De natura animalium 1.36; 9.17; Pliny, Natural History. 10.47.89-91; and for the legend of their transformation, Ovid, Metamorphoses 11, 410ff, esp. 728ff. Halcyons were supposed to build a nest and launch it on the sea at a time of calm peaceful weather provided for them about the time of the winter solstice. See Erasmus, Adagia 1552, Halcedonia sunt apud forum.

2.  ‘for Ceres...and for Bacchus too’, i.e. rich with crops of corn and wine.

3.  ‘is the image of the bird of the sea’, i.e. diffusing peace, love and concord. Before their metamorphosis into seabirds, Alcyone and her husband were a deeply loving royal couple ruling a peaceful country. This love persisted after the change, symbolised by the calm weather associated with their nesting.


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