Aliquid mali propter vicinum malum.[1]

Misfortune caused by a bad neighbour

Raptabat torrens ollas, quarum una metallo,
Altera erat figuli terrea facta manu.
Hanc igitur rogat illa, velit sibi proxima ferri,
Iuncta ut praecipites utraque sistat aquas:
Cui lutea, Haud nobis tua sunt commercia curae,
Ne mihi proximitas haec mala multa ferat.
Nam seu te nobis, seu nos tibi conferat unda,
Ipsa ego te fragilis sospite sola terar.

A stream was carrying along two pots, one of which was made of metal, the other formed by the potter’s hand of clay. The metal pot asked the clay one whether it would like to float along close beside it, so that each of them, by uniting with the other, could resist the rushing waters. The clay pot replied: The arrangement you propose does not appeal to me. I am afraid that such proximity will bring many misfortunes upon me. For whether the wave washes you against me or me against you, I only, being breakable, will be shattered, while you remain unharmed.

NEC QUESTIONI
quidem cedendum.

Do not yield even to torture

Cecropia effictam quam cernis in arce leaenam,
Harmodii an nescis hospes, amica fuit?
Sic animum placuit monstrare viraginis acrem,
More ferae, nomen vel quia tale fuit[1].
Quod fidibus contorta suo non prodidit ullum,
Indicio, elinguem reddidit Iphicrates.[2]

This lioness that you see represented on the Athenian citadel was Harmodius’s lover - stranger, you must know the story. This was how they decided to proclaim the brave woman’s fierce spirit, by representing her as a lioness. Besides, her name was Lioness too. Tortured on the rack, she betrayed no-one by her evidence, and so Iphicrates represented the beast without a tongue.