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Link to an image of this page  Link to an image of this page  [N4v p200]

Ferè simile ex Theocrito.[1]

Something more or less the same from Theocritus

XC.

Child showing a bee sting on his finger to a woman (Venus).
[Click on image to enlarge]

Alveolis dum mella legit, percussit Amorem
Furacem mala apes, & summis spicula liquit
In digitis: tumido gemit at puer anxius ungue,
Et quatit errabundus humum, Venerique dolorem
Indicat, & graviter queritur, quòd apicula parvum
Ipsa inferre animal tam noxia vulnera possit.
Cui ridens Venus, hanc imitaris tu quoque dixit
Nate feram, qui das tot noxia vulnera parvus.

While he was taking honey from the hives, a vicious bee stung thieving Amor, and left its sting in the end of his finger. The boy in distress cried out as his finger-end swelled up. He ran about, stamping his foot, showed his hurt to Venus, and complained bitterly that a little bee, that tiny creature, could inflict such grievous wounds. Venus smiled at him and said, “You are like this creature, my son; small as you are you deal many a grievous wound”.

Link to an image of this page  Link to an image of this page  [N5r p201]

Schier auff die vorgeend fabel.

XC.

Wie Cupido hoeng fladen stal,
Ein pin hart in die hand in stach,
Seinr mueter klagt er den unfal,
Und wie das sey ein seltzam sach,
Das diß klain thier so groß layd mach:
Sagt Venus mit lachendem mund,
Lieber sun, deiner klaynheyt nach
Machst du die leut vil schwerer wund.

Notes:

1.  3rd-century BC bucolic poet, who may or may not have wrriten the Idylls (19, The Honey Stealer), of which this is a fairly close translation, in dactylic hexameters, as in the Greek original.

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Link to an image of this page  Link to an image of this page  [E5v]

REMEDIA IN ARDUO MALA.
in prono esse.

Remedies are hard, damage is easy

Old man with a staff following a snake like figure with wings
[Click on image to enlarge]

Link to an image of this page  Link to an image of this page  [E6r]

Aetheriis postquam deiecit sedibus Aten,
Iupiter[1] heu vexat quàm mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo litae proles Iovis hanc comitantur euntem,[2]
Sarcturae quicquid fecerit illa mali.
Sed quia segnipedes strabae[3] lassaeque senecta,
Nil nisi post longo tempore restituunt.[4]

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Notes:

1.  ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2.  ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3.  Textual variant: luscae.

4.  The woodcut is puzzling. Possibly the monster is supposed to represent Ate; in later editions she appears as a harpy-like figure. The Litae feature, in later editions, as old women. The old man presumably represents the suffering of mankind.

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  • walking - AA - female human figure [31AA2711] Search | Browse Iconclass
  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass
  • other lesser deities of Heaven ~ destiny, fate, adversity: Litae [92G7(LITAE)] Search | Browse Iconclass

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