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Link to an image of this page  Link to an image of this page  [A6r f6r]

Antiquissima quaeque com-
mentitia.

The oldest things are all invented

Pellenaee senex, cui forma est histrica, Proteu, [1]
Qui modo membra viri fers, modo membra feri,
Dic age quae species ratio te vertit in omnes,
Nulla sit ut vario certa figura tibi?
Signa vetustatis, primaevi & praefero secli: [2]
De quo quisque suo somniat arbitrio.

Proteus, old man of Pallene, whose outward appearance changes like an actor’s, assuming sometimes the body of a man, sometimes that of a beast, come, tell me, what is your reason for turning into all kinds of shapes, so that you have no permanent form as you constantly alter? I offer symbols of antiquity and the very first times, concerning which everyone dreams up what he will.

Notes:

1.  Proteus was ‘the Old Man of the Sea’, who evaded capture by constantly changing his shape. See e.g. Homer, Odyssey, 4.400ff.; Vergil, Georgics, 4. 405-10, 440-2; Erasmus, Adagia, 1174 (Proteo mutabilior). Vergil (Georgics, 4.391) describes him living near the headland of Pallene (on the Macedonian coast). The idea of Proteus as a gifted actor or mime-artist is taken from Lucian, Saltatio, 19.

2.  signa vetustatis primaevi et...secli, ‘symbols of antiquity and the very first times’. Pallene (see n.1.) suggested a connection with the Greek word παλαιός ‘ancient’, as the name Proteus was supposedly connected with πρώτιστος, ‘the very first’.


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Link to an image of this page  Link to an image of this page  [L1r p161]

Los prudentes.

Ottava rhima.

Jano que de dos rostros guarneçido
Entiendes lo pasado y venidero,
Y como ves lo que te es offrecido
Burlas ansi de lo que fue primero,
Por que con tantos rostros te han fingido?
Por aventura es por que el hombre entero
Y sabio ha de ser tal que juntamente
Vea lo por venir y lo presente?


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