
Que mas puede la eloquençia que
la fortaleza.
TERCETOS.
En la siniestra el arco descubre,
Y la derecha tien’ la clava dura,
Y la piel d’el leon su cuerpo cubre.
Link to an image of this page [H7r p125]
Luego esta es la facion de Hercules pura
Mas no le quadra aquello que està cano,
Como hombre ya de edad vieja y madura.
Mas que querrà dezir que
està el anciano
La lengua con cadenas trespasada
Con que lleva tras si à el vulgo insano?
Es por que Alcides con lengua acordada [M]
A los pueblos Françeses
componia
Mas que por fortaleza
aventajada.[1]
Las armas con la paz no ayan porfia
Pues aun à los muy duros coraçones
Doma con buen hablar sabiduria.[2]
[Marginalia - link to text]Hercules.
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REMEDIA IN ARDUO MALA.
in prono esse.
Remedies are hard, damage is easy

Aetheriis postquam deiecit sedibus Aten,
Iupiter[1] heu vexat quàm mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo litae proles Iovis hanc comitantur euntem,[2]
Sarcturae quicquid fecerit illa mali.
Sed quia segnipedes strabae[3] lassaeque senecta,
Nil nisi post longo tempore restituunt.[4]
Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.
1. ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.
2. ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.
3. Textual variant: luscae.
4. The woodcut is puzzling. Possibly the monster is supposed to represent Ate; in later editions she appears as a harpy-like figure. The Litae feature, in later editions, as old women. The old man presumably represents the suffering of mankind.
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