
Tumulus meretricis.
The courtesan’s tomb
XXV.
Quis tumulus? cuia urna? Ephyraeae est Laidos,[1] & non
Erubuit tantum perdere Parca[2] decus?
Nulla fuit tum forma, illam iam carpserat aetas,
Link to an image of this page [c7r p45]Iam speculum Veneri cauta dicarat[3] anus.
Quid sculptus sibi vult aries[4], quem parte leaena
Unguibus apprensum posteriore tenet?
Non aliter captos quòd & ipsa teneret amantes,
Vir gregis est aries, clune tenetur amans.
What tomb, whose urn is this? - It belongs to Lais of Ephyre. - Ah, was not the goddess of Fate ashamed to destroy such loveliness? - She had no beauty then. Age had already worn it away. She had become an old woman and had already wisely dedicated her mirror to Venus. - What’s the meaning of the ram carved there, which a lioness holds tight, gripping its hind-quarters with her claws? - It is there because she too would hold her captive lovers in just this way. The male of the flock is the ram. The lover is held by the buttocks.
COMMENTARIA.
Laïs ex Corinthia meretrix insignis mirae
pulchritudinis ac venustatis, ob id per totam
Graeciam celebris, quae neminem admittebat,
nisi tantum solveret, quantum ipsa peteret,
postulabat autem ingentem pecuniae sum-
mam, hanc Demosthenes Rhetor clam adie-
rat, utque sibi sui copiam faceret rogaverat, il-
la statim 40. sestertia (quae summa ut Budaeus
computat, mille ferè Gallicos coronatos fa-
ciet) petiit. Expavit autem Demosthenes,
mox terga volvens inquit, Ego poenitere tan-
ti non emo. ut eleganter Aulus Gellius lib. 1 cap. 8.
Eius sepulcrum hîc expressum, cui insculptus
est Aries (amatorem referens) quem sequens
Leaena (meretricem significans) unguibus à
tergo comprehendit. Sic etenim meretrices
quavis Leaena ferociores, miseros amantes
etiam laniando captos tenent. De Laïde au-
tem, eius monumento, & huiuscemodi pictu-
ria, similimè recenset Leonicus de varia histo-
ria lib 1. cap. 81.
1. ‘Lais of Ephyre’. Ephyre is an old name for Corinth, the home of several famous courtesans called Lais.
2. One of the Parcae or Fates, here presumably Atropos, the Fate who cut off the thread of the individual’s life.
3. As a symbol of retirement, the tools of one’s trade were dedicated to the presiding deity. For Lais dedicating her mirror to Venus, see Anthologia graeca 6.1 and 18.
4. Scalptus...aries, ‘the ram carved there’. Pausanias Periegesis 2.2.4 describes such a tomb of Lais at Corinth.
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- beasts of prey, predatory animals: lion (+ animals used symbolically) [25F23(LION)(+1)] Search | Browse Iconclass
- beasts of prey, predatory animals: lion (+ animal in search of food) [25F23(LION)(+451)] Search | Browse Iconclass
- beasts of prey, predatory animals: lion (+ movements of animal(s)) [25F23(LION)(+52)] Search | Browse Iconclass
- plants and herbs [25G4] Search | Browse Iconclass
- the corpse [3.10E+04] Search | Browse Iconclass
- lying figure - AA - female human figure [31AA236] Search | Browse Iconclass
- adult woman [31D15] Search | Browse Iconclass
- prostitution [33C50] Search | Browse Iconclass
- whore, prostitute [33C52] Search | Browse Iconclass
- 'Lais Corinthiaca' [33C5211] Search | Browse Iconclass
- fence, wall, paling [41A54] Search | Browse Iconclass
- gate, entrance [41A542] Search | Browse Iconclass
- woman (showing herself) undressed, quasi-nude [41D92] Search | Browse Iconclass
- grave, tomb [42E31] Search | Browse Iconclass
- effigy, 'gisant' (portrait-figure on closed coffin or in 'castrum doloris'), transi [42E351] Search | Browse Iconclass
- ram (+ animals used symbolically) [47I2131(+91)] Search | Browse Iconclass
- ram (+ movements of animal(s)) [47I2131(+952)] Search | Browse Iconclass
- ram (+ animal(s) being hit, shot, caught) [47I2131(+9621)] Search | Browse Iconclass
- ornament derived from animal forms [48A984] Search | Browse Iconclass
- piece of sculpture, reproduction of a piece of sculpture [48C24] Search | Browse Iconclass
- female persons from classical history (with NAME) representations to which the NAME of a person from classical history may be attached [98C(LAIS OF CORINTH)3] Search | Browse Iconclass
Relating to the text:
- Old Age, 'Senectus'; 'Vecchiezza' (Ripa) [31D160] Search | Browse Iconclass
- Beauty; 'Bellezza' (Ripa) [51D4] Search | Browse Iconclass
- Licentiousness, Lasciviousness; 'Lascivia', 'Licenza' (Ripa) [57AA51] Search | Browse Iconclass
- (story of) Venus (Aphrodite) [92C4] Search | Browse Iconclass
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Obdurandum adversus urgentia.
Stand firm against pressure
Nititur in pondus palma, & consurgit in arcum,
Quo magis & premitur hoc mage tollit onus.[1]
Fert & odoratas bellaria dulcia glandes,[2]
Queis mensas inter primus habetur honos.
I puer, & reptans ramis has collige, mentis
Qui constantis erit, praemia digna feret.
The wood of the palm-tree counteracts a weight and rises up into an arch. The heavier the burden pressing it down, the more it lifts it up. The palm-tree also bears fragrant dates, sweet dainties much valued when served at table. Go, boy, edge your way along the branches and gather them. The man who shows a resolute spirit will receive an appropriate reward.
1. The reaction of palm to a heavy weight is mentioned in various ancient sources, e.g. Pliny, Natural History 16.81.223; Aulus Gellius, Noctes Atticae 3.6. See also Erasmus, Parabolae p.263. It probably refers to a plank of palm-wood, rather than a branch of the living tree. A similar image is used in La Perriere, Morosophie, no. 83 ([FLPb083]).
2. See Erasmus, Parabolae p.241: ‘the palm-tree, having bark with knife-sharp edges, is difficult to climb, but it bears delicious fruit’.
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- bearing fruit [25G(+34)] Search | Browse Iconclass
- trees (with NAME) [25G3(PALM-TREE)] Search | Browse Iconclass
- hanging by the arms [31A2371] Search | Browse Iconclass
- arm raised upward - AA - both arms or hands (+ holding something) [31AA2511(+933)] Search | Browse Iconclass
- boy (child between toddler and youth) (+ nude human being) [31D11221(+89)] Search | Browse Iconclass
- adult man [31D14] Search | Browse Iconclass
- climbing up a tree (+ variant) [43B411(+0)] Search | Browse Iconclass
- picking fruit [47I4131] Search | Browse Iconclass
- Opposition, Counteraction, Resistance [54EE11] Search | Browse Iconclass
Relating to the text:
- adult man [31D14] Search | Browse Iconclass
- celebration meal, feast, banquet [41C5] Search | Browse Iconclass
- Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa) (+ emblematical representation of concept) [53A21(+4)] Search | Browse Iconclass
- Opposition, Counteraction, Resistance (+ emblematical representation of concept) [54EE11(+4)] Search | Browse Iconclass
- Reward, 'Praemium'; 'Premio', 'Remuneratione' (Ripa) (+ emblematical representation of concept) [55A12(+4)] Search | Browse Iconclass
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