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Link to an image of this page  Link to an image of this page  [n8v p208]

Superbia.

Pride

LXII.

En statuae statua,[1] & ductum de marmore marmor
Se conferre deis ausa procax Niobe. [2]
Est vitium muliebre superbia, & arguit oris
Duritiem, ac sensus, qualis inest lapidi.

Behold a statue of a statue, marble carved from marble, insolent Niobe, who dared to set herself up against the gods. Pride is a woman’s vice, and shows hardness of face and feeling, such as exists in a stone.

Notes:

1.  According to the best-known story of her fate, Niobe was turned to stone. For the statue of Niobe by Praxiteles, see Ausonius, Epigrams, 63.2 and Anthologia Graeca, 16.130, a much translated epigram, which seems to have been in Alciato’s thoughts here.

2.  Niobe in her pride boasted that having 12 (or 14) children, she was superior to Lato with just two, i.e. Apollo and Diana. These gods in revenge slew all her children and in her grief Niobe hardened into a rock; see Ovid, Metamorphoses, 6.165ff. See further, Erasmus, Adagia, 2233, ‘Niobes mala’.


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    Single Emblem View

    Link to an image of this page  Link to an image of this page  [N7r f90r]

    EMBLEMA CXL.

    Superbia.

    Pride

    En statuae statua,[1] & ductum de marmore marmor,
    Se conferre deis ausa procax Niobe.[2]
    Est vitium muliebre superbia, & arguit oris
    Duritiem, ac sensus, qualis inest lapidi.

    Behold a statue of a statue, marble carved from marble, insolent Niobe, who dared to set herself up against the gods. Pride is a woman’s vice, and shows hardness of face and feeling, such as exists in a stone.

    Link to an image of this page  Link to an image of this page  [N7v f90v]

    Das CXL.

    Hoffart.[3]

    Schauw an ein Seul beyr andern stan
    Und ein Marmel am andern dran
    Die freffel Niob hat sich gleich
    Achten dörffen den Göttern reich
    Hoffart ist ein Weibisch unart
    Zeigt an gwiß und bezeugt zur fart
    Ein Menschen der mit Hertz und Mund
    Ist herter dann ein Stein all stund.

    Notes:

    1.  According to the best-known story of her fate, Niobe was turned to stone. For the statue of Niobe by Praxiteles, see Ausonius, Epigrams, 63.2 and Anthologia Graeca, 16.130, a much translated epigram, which seems to have been in Alciato’s thoughts here.

    2.  Niobe in her pride boasted that having 12 (or 14) children, she was superior to Lato with just two, i.e. Apollo and Diana. These gods in revenge slew all her children and in her grief Niobe hardened into a rock; see Ovid, Metamorphoses, 6.165ff. See further, Erasmus, Adagia, 2233, ‘Niobes mala’.

    3.  This woodcut does not correspond to the context of this emblem. It is designed for Emblem 194 ([A67a193]), where death is brought by Death and Cupid, rather than Apollo and Diana.


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