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Section: LES ARBRES. View all emblems in this section.

Link to an image of this page  Link to an image of this page  [S1r p273]

Le Sapin.

Le Sapin croist es mons, & sert en leau [=l’eau] .
En lieu contraire, est souvent profict beau.[1]

Le sapin croissant es haultes montaignes, descend
es basses rivieres: pour faire plus grand profict. Car
pour estre resineux, & legier, il est propre ā faire
basteaux. Ainsi a plusieurs est expedient changer de
lieu, & se mettre de plus hault, en plus bas pour meil-
leur usage.

Notes:

1.  This is because it grows strong by withstanding the gales and harsh weather. Contrast Anthologia Graeca, 9.30ff, 105, and the much-translated 376 for an opposing view of the fir tree: ‘how can the fir, storm-tossed while growing on land, resist the gales at sea?’ 9.31 was translated by Alciato (Selecta epigrammata, p. 98).


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Link to an image of this page  Link to an image of this page  [N1v p17]

El Box.

OTTAVA ACEPHALA.

El crespo y verde Box d’el qual se haze
La flauta en el sonido differente.[1]
Tambien serā seņal que satisfaze
De aquel que herido d’el Amor se siente:
Porque de amarillez estā teņido
Como el que d’el Amor se siente herido.[2]

Notes:

1.  For pipes of boxwood, see e.g. Ovid, Metamorphoses, 4.30.

2.  The lover should affect pallor and emaciation, as these will soften the lady’s heart; see Ovid, Ars Amatoria, 1.729ff.


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  • lovers; courting, flirting [33C2] Search | Browse Iconclass
  • panpipes [48C7353] Search | Browse Iconclass
  • Pleasure, Enjoyment, Joy; 'Allegrezza', 'Allegrezza da le medaglie', 'Allegrezza, letitia e giubilo', 'Diletto', 'Piacere', 'Piacere honesto' (Ripa) (+ emblematical representation of concept) [56B1(+4)] Search | Browse Iconclass

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