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EMBLEMA CXVII.

In receptatores sicariorum.

Those who harbour cut-throats

Latronum furumque manus tibi saeva[1] per urbem
It comes: & diris cincta cohors gladiis.
Atque ita te mentis generosum prodige censes,
Quod tua complures allicit olla malos,
En novus Actaeon, qui postquàm cornua sumpsit,
In praedam canibus se dedit ipse suis.[2]

A fierce band of ruffians and thieves accompanies you about the city, a gang of supporters armed with lethal swords. And so, you wastrel, you consider yourself a fine lordly fellow because your cooking pot draws in crowds of scoundrels. - Here’s a fresh Actaeon - he, after he grew his horns, became the prey of his own hunting dogs.

Das CXVII.

Wider die so sich zu der Landsknecht und
Buben Rott gesellen.

Dich Lurtsch, So du gehst durch dstat
Volget dir nach ein hauffen drat
Link to an image of this page  Link to an image of this page  [M2v f77v] Der frechen und verwegnen Knecht
Mit gwerter hand ein unnütz Gschlecht
Und meinst also seystdu alsdann
Dester Edler im Gschlecht und Stamm
Dieweil du hast an dich gehengt
Ein Gottloß Rott, durch miet und schenck
Sich an ein neuwen Actean
Welcher da er die Hörner gewan
Wurd er von seinen eigen Wind [=Hind]
Zerrissen und gefressen gschwind.

Notes:

1.  Other editions read scaeva, ‘evil-minded’. The capital letter in some editions suggests that the Latin word could be taken as a proper name in the vocative case, i.e addressing one Scaeva.

2.  For the story of Actaeon turned into a stag and killed by his own hounds, see Ovid, Metamorphoses 3.138ff. Similarly, the hangers-on will destroy the one who has fed them.


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REMEDIA IN ARDUO MALA
in prono esse.

Remedies are hard, damage is easy

Link to an image of this page  Link to an image of this page  [E6r]

Aetheriis postquam deiecit sedibus Aten,
Iupiter[1] heu vexat quàm mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo litae proles Iovis hanc comitantur euntem,[2]
Sarcture quicquid fecerit illa mali.
Sed quia segnipedes strabe[3] lassaeque senecta,
Nihil nisi post longo tempore restituunt.[4]

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Notes:

1.  ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2.  ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3.  Textual variant: luscae.

4.  The woodcut is puzzling. Possibly the monster is supposed to represent Ate; in later editions she appears as a harpy-like figure. The Litae feature, in later editions, as old women. The old man presumably represents the suffering of mankind.


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  • walking - AA - female human figure [31AA2711] Search | Browse Iconclass
  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass
  • other lesser deities of Heaven ~ destiny, fate, adversity: Litae [92G7(LITAE)] Search | Browse Iconclass

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