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Link to an image of this page  Link to an image of this page  [M6r f81r]

Das [=EMBLEMA] CXXIIII.

Etiam ferocissimos domari.

Even the fiercest are tamed.

Romanum postquàm eloquium, Cicerone perempto,
Perdiderat[1] patriae pestis acerba suae:
Incendit [=Inscendit] currus victor, iunxitque leones[2],
Compulit & durum colla subire iugum,
Magnanimos cessisse suis Antonius armis,
Ambage hac cupiens significare duces.

After Antony, that grievous bane of his country, had destroyed eloquence by slaying Cicero, he mounted his chariot in triumph and yoked to it lions, forcing their necks to bow to the harsh yoke, desiring by this symbolic act to indicate that great leaders had given way before his military might.

Das CXXIIII.

Man kan auch die aller frechsten zemen
und baschgen .[3]

Nach dem jetz hett verloren Rom
Link to an image of this page  Link to an image of this page  [M6v f81v] Den Edlen wolberedten Mann
Ciceronem, so war umbbracht
Dem Vatterland zu grosser schmach
Satzt sich auff einen Wagen stoltz
Antonius der volle Boltz
Den zogen zwen wild Löwen groß
Als werens darzu gwente Roß
Damit gab er ja zuverstehn
Das nach seinem willen thet gehn
Dann er also seim Feind obsigt
Die grossen Fürsten undertrückt.

Notes:

1.  ‘had destroyed eloquence by slaying Cicero’. Cicero was considered Rome’s greatest orator - his name was held by many to be synonymous with eloquence itself; see Quintilian, Institutio oratoria 10.1.112. Mark Antony had Cicero murdered in 43 BC in revenge for his scathing attacks in the fourteen ‘Philippic’ orations. See Seneca the Elder, Suasoriae 6.17.

2.  Cf. Pliny, Natural History 8.21.55: Antony was the first to yoke lions to a chariot in Rome...by this unnatural sight giving people to understand that noble spirits were at that time bowing to the yoke.

3.  The German in certain parts of this emblem is particularly puzzling.


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Relating to the text:

  • Eloquence; 'Eloquenza', 'Fermezza & Gravità dell'Oratione' (Ripa) [52D3] Search | Browse Iconclass
  • Authority, Power; 'Dominio', 'Giurisdittione' (Ripa) (+ emblematical representation of concept) [53C11(+4):54F2(+2)] Search | Browse Iconclass
  • Vehemence, Violence, Fierceness; 'Sforza con Inganno', 'Violenza' (Ripa) [54AA4] Search | Browse Iconclass
  • death of Cicero: he is slain by soldiers at the order of the triumvirs [98B(CICERO)68] Search | Browse Iconclass

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Link to an image of this page  Link to an image of this page  [G3r p101]

Pitié du Fils au Pere.

LXIX.

Enee de Troye fuyoit,
Son pere sur son col portant:
Et à ses ennemis crioit,

Link to an image of this page  Link to an image of this page  [G3v p102]

Messieurs, souffrez de moy atant:
Si ce vieillard allez battant,
Nul est qui proffit en espere:
Et si cours m’allez permettant,
Gloire auray de sauver mon pere.[1]

commentaires.

Enee, Prince tresnoble entre les Troyens, apres que
les Grecs eurent pris Troye la grand’, l’eurent ruinee
& mis en cendre, quoy qu’il luy fust comme permis
d’emporter ce qu’il voudroit, ne voulut pourtant pren-
dre autre chose que son bon vieillard de pere, qu’il char-
gea sur ses espaules, & l’emporta au travers des enne-
mis & des flammes. O Seigneurs Grecs, disoit-il, par-
donnez nous, espargnez nous. Ce ne vous sera jamais
honneur si vous tuez un pauvre vieillard, qui a ja un
pied en la fosse: mais moy j’auray un grand contente-
ment, & ce me sera une grand’ gloire, si je puis sau-
Link to an image of this page  Link to an image of this page  [] ver mon bon pere. Un fils ne sçauroit assez honnorer
& soulager ses parents: Il leur doit toute aide, se-
cours, & assistance.

Notes:

1.  This is based on Anthologia graeca 9.163, a much translated epigram. It refers to the celebrated incident of Aeneas’ rescue of his old father at the sack of Troy, carrying him on his shoulders through the occupied and burning city. See Vergil, Aeneid 2.634ff.


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