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Link to an image of this page  Link to an image of this page  [S7r f130r]

EMBLEMA CCXVII [=212] .

Hedera.

Ivy

Haudquaquam arescens hedere est arbuscula Cisso[1],
Quae puero Bacchum dona dedisse ferunt:
Errabunda, procax, auratis fulva corymbis,
Exterius viridis, caetera pallor habet.
Hinc aptis vates cingunt sua tempora sertis:[2]
Pallescunt studiis, laus diuturna viret.

There is a bushy plant which never withers, the ivy which Bacchus, they say, gave as a gift to the boy Cissos. It goes where it will, uncontrollable; tawny where the golden berry-clusters hang; green on the outside but pale everywhere else. Poets use it to wreathe their brows with garlands that fit them well - poets are pale with study, but their praise remains green for ever.

Das CCXVII [=212] .

Epheuw.

Epheuw ist ein gsteud das mit nicht
Verdorret, das wie ich bin bricht
Bacchus dem Knaben Cisso sol
Zu eim gschenck geben hon ein mal
Verwendt hin und her es sich flucht
Und tregt oben zu Goldgelb zucht
Ausserthalb ist es grün sunst doch
Hat es die gelbe Farbe noch
Auß diesem werden Krentz bereit
Damit ziert man die glehrte Leut
Die seind von studieren stäts bleich
Ir lob aber allzeit grunt reich.

Notes:

1.  Κισσός is the Greek word for ‘ivy’. For the story of Cissos, beloved of Bacchus, and his transformation into the ivy, see Nonnus, Dionysiaca, 12.188ff.

2.  vates cingunt sua tempora, ‘Poets use it to wreathe their brows’. See Pliny, Natural History, 16.62.147: poets use the species with yellow berries for garlands.

ENDE


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    Link to an image of this page  Link to an image of this page  [N4v p200]

    Le bouis.

    XXXIX.

    Tousjours verd est le bouis, & crespu par la cime,
    La flute qu’on en fait rend son harmonieux:[1]
    Link to an image of this page  Link to an image of this page  [N5r p201] Aux delices propre est de ceux qu’amour anime
    Il paslit, aussi font tous povres amoureux.[2]

    Commentaires.

    Le bouis est le symbole d’amour, pource qu’il est
    verd mais d’une verdeur pasle. Aussi les amoureux
    esperent tousjours, mais ceste esperance n’est jamais
    separee de doute & crainte. Le bouis est fort propre
    à faire des flutes de toutes façons, l’harmonie des-
    quelles fait quelquefois passer la fantasie aux amou-
    reux.

    Notes:

    1.  For pipes of boxwood, see e.g. Ovid, Metamorphoses, 4.30.

    2.  The lover should affect pallor and emaciation, as these will soften the lady’s heart; see Ovid, Ars Amatoria, 1.729ff.


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