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Link to an image of this page  Link to an image of this page  [K2r p147]

In Occasionem.

Opportunity

EMBLEMA CXXI.

Διαλογιστικῶς.

In dialogue form.

Lysippi[1] hoc opus est, Sicyon[2] cui patria tu quis?[3]
Cuncta domans capti temporis articulus.
Cur pinnis[4] stas? usque rotor. talaria plantis
Cur retines? passim me levis aura rapit.
Link to an image of this page  Link to an image of this page  [K2v p148]In dextra est tenuis dic unde novacula? acutum
Omni acie hoc signum me magis esse docet.
Cur in fronte coma? occurrens ut prendar. At heus tu
Dic cur pars calva est posterior capitis?
Me semel alipedem si quis permittat abire,
Ne possim apprenso postmodò crine capi.
Tali opifex nos arte, tui caussa edidit, hospes:
Utque omnes moneam, pergula aperta tenet.

This image is the work of Lysippus, whose home was Sicyon. - Who are you? - I am the moment of seized opportunity that governs all. - Why do you stand on points? - I am always whirling about. - Why do you have winged sandals on your feet? - The fickle breeze bears me in all directions. - Tell us, what is the reason for the sharp razor in your right hand? - This sign indicates that I am keener than any cutting edge. - Why is there a lock of hair on your brow? - So that I may be seized as I run towards you. - But come, tell us now, why ever is the back of your head bald? - So that if any person once lets me depart on my winged feet, I may not thereafter be caught by having my hair seized. It was for your sake, stranger, that the craftsman produced me with such art, and, so that I should warn all, it is an open portico that holds me.

Notes:

1.  Greek sculptor, 4th century BC.

2.  A town west of Corinth.

3.  This is a translation of Anthologia graeca 16.275. See also Erasmus, Adagia 670, Nosce tempus, where Erasmus too gives a verse translation of the Greek epigram.

4.  ‘on points’. Alciato here agrees with Erasmus, who similarly translates the phrase ἐπ’ ἄκρα, ‘on tiptoe’, in the Greek original. Thomas More translates more obviously with summis digitis. See Selecta epigrammata (Cornarius, ed.) p. 372ff.


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  • male persons from classical history (with NAME) representations to which the NAME of a person from classical history may be attached [98B(LYSIPPUS)3] Search | Browse Iconclass

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Link to an image of this page  Link to an image of this page  [G8r f43r]

EMBLEMA LXIIII.

Paupertatem summis ingeniis obesse ne
provehantur.[1]

Poverty prevents the advancement of the best of abilities

Link to an image of this page  Link to an image of this page  [G8v f43v]

Dextra tenet lapidem, manus altera sustinet alas,
Ut me pluma levat, sic grave mergit onus.
Ingenio poteram superas volitare per arces,
Me nisi paupertas infida[2] deprimeret.

My right hand holds a rock, the other bears wings. As the feathers lift me, so the heavy weight drags me down. By my mental gifts I could have flown through the heights of heaven, if treacherous poverty did not hold me back.

Das LXIIII.

Armut verhindert viel gute Köpff daß sie
nicht hinfür kommen.

An einer Hand hangt mir ein Stein
An der ander leichtfettig rein
Was dfechtig heben mich in dhöch
Das truckt zu boden der Stein göch
Ich kündt mit meim verstandt und sin
Die freyen Künst lehrnen durch hin
So mich nicht nidertrucken thet
Die uberlistig Armut stet.

Notes:

1.  For the sentiment cf. Juvenal, Satires 3.164-5: ‘it is hard for people to rise when straitened circumstances stand in the way of their natural abilities.’

2.  Other versions have ‘invida’.


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  • Progression, Forward Movement (+ emblematical representation of concept) [51L4(+4)] Search | Browse Iconclass
  • Rest, Immobility, Stasis (+ emblematical representation of concept) [51LL1(+4)] Search | Browse Iconclass
  • Regression, Backward Movement (+ emblematical representation of concept) [51LL4(+4)] Search | Browse Iconclass
  • Talent (+ emblematical representation of concept) [52A13(+4)] Search | Browse Iconclass
  • Hindrance, Obstruction (+ emblematical representation of concept) [54EE2(+4)] Search | Browse Iconclass
  • Poverty; 'Povertà', 'Povertà del doni', 'Povertà in uno ch'habbia bell'ingegno' (Ripa) (+ emblematical representation of concept) [55BB1(+4)] Search | Browse Iconclass
  • Ambition; 'Ambitione', 'Amor di Fama' (Ripa) (+ emblematical representation of concept) [56F11(+4)] Search | Browse Iconclass

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