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Link to an image of this page  Link to an image of this page  [O8r p224]

La gourmandise.

LXVI.

Qui veut representer un goulu ou goulue,
Grosse panse il luy baille, & un grand col de grue,[1]
Et luy met sur ses poings la foulque & le butor.
Tel estoit un Denis,[2] & un Apice encor,[3]
Qui par leur gloutonnie & molle friandise
Font qu’encor aujourd’huy pour goulus on les prise.

Commentaires.

La foulque & le butor sont oiseaux extremement
goulus, & qui ne se peuvent jamais soulersouler: & pource
sont-ils employés par les poëtes, quand ils veulent re-
Link to an image of this page  Link to an image of this page  [P1r p225] marquer un vray goulu. Denys & Apice sont te-
nus pour patriarches des frians: aussi en ont-ils publié
des preceptes, qui encor aujourd-huy se voyent tra-
duicts en divers vulgaires: Ils ne sont pas seuls. Il n’y
en a que trop encor par tout.

Notes:

1.  These birds were symbols of ravenous greed. The pelican is called inexplebile animal, ‘insatiable creature’, by Pliny, Natural History, 10.66.131; cf. Emblem 83 ([FALe083]). For the gull, see Erasmus, Adagia, 1133 (Larus: the gull will also fit food-suppliers because it is a bird with an appetite for fish).

2.  Dionysius II, Tyrant of Syracuse. After his deposition, he lived in Corinth, and many anecdotes were told of his indulgent way of life there, including the story that he died of being overweight.

3.  Apicius was a famous gourmet of the time of the Emperor Tiberius. See Seneca, De consolatione, 10.8-9 and Martial, Epigrams, 3.22: he spent a hundred million sesterces on food items and committed suicide for fear of starvation on discovering that he had only one million left. He composed two cookery books, but the one which has come down to us under his name is a fourth- to fifth-century compilation drawing on his works and several others (ed. princ. Le Signerre, Milan 1498).


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    • Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidità', 'Voracità' (Ripa) ~ personification of one of the Seven Deadly Sins [11N35] Search | Browse Iconclass
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    • anthropomorphic beings with parts of abnormal shape (+ neck) [31A444(+615):25F37(CRANE)(+3)] Search | Browse Iconclass
    • Intemperance, Immoderation (+ emblematical representation of concept) [54AA43(+4)] Search | Browse Iconclass
    • specific aspects, allegorical aspects of Bacchus; Bacchus as patron [92L17] Search | Browse Iconclass
    • male persons from classical history (with NAME) representations to which the NAME of a person from classical history may be attached [98B(APICIUS, Marcus Gavius)3] Search | Browse Iconclass

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    Link to an image of this page  Link to an image of this page  [E6r p75]

    Mesdisance.

    Sur le tombeau d’Archiloc,[1] Guespes sont,
    Qui signe vray de malle houche [=bouche] font.

    Archiloc, Poëte Graec Iambic, en ses escriptz armé
    de mesdisance, represenre [=represente] tous hommes mesdisans
    de parolle, ou d’escript, au reste à bien faire inurti-
    les [=inutiles] , telles que sont les Guespes, qui en grand bruyt
    murmurantes, picquent tresaigrement, & ne font
    miel, ne cire.

    Notes:

    1.  Archilochus was an eighth-century BC poet, author of much (now fragmentary) verse, including satire. This last was considered in antiquity to be excessively abusive and violent. See Horace, Ars Poetica, 79; also Erasmus, Adagia, 60 (Irritare crabrones).


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