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Link to an image of this page Link to an image of this page [N8v p208]

In receptatores sicariorum.[1]

Those who harbour cut-throats

XCIIII.

Latronum furumque manus tibi Scaeva[2] per urbem
It comes, & diris cincta cohors gladiis.
Atque ita te mentis generosum prodige censes,
Qud tua complureis allicit olla malos.
En novus Actaeon, qui postqum cornua sumpsit,
In praedam canibus se dedit ipse suis.[3]

An evil-minded band of ruffians and thieves accompanies you about the city, a gang of supporters armed with lethal swords. And so, you wastrel, you consider yourself a fine lordly fellow because your cooking pot draws in crowds of scoundrels. - Here’s a fresh Actaeon - he, after he grew his horns, became the prey of his own hunting dogs.

Link to an image of this page Link to an image of this page [O1r p209]

Wider auffenthalter der todschleger.

XCIIII.

Trotzlich gewaffend dich belaydt
Moerder und dieb ein grosse rot,
Das achst du dich stoltz und gemayd,
Das du soelch nerst von deinem brot:
Sich fal nit in Actaeons not,
Den in eins hyrschen gstalt verkert
Sein aygen hunnd bissen zu tod,
Wer schelmen nert, ist unglucks werd.

Notes:

1. Before the 1536 edition, Wechel editions used an earlier version of the woodcut in which the horns were more like a goat than a deer’s antlers.

2. Scaeva, ‘evil-minded’. The capital letter suggests that the Latin word could be taken as a proper name in the vocative case, i.e addressing one Scaeva.

3. For the story of Actaeon turned into a stag and killed by his own hounds, see Ovid, Metamorphoses 3.138ff. Similarly, the hangers-on will destroy the one who has fed them.


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Link to an image of this page Link to an image of this page [E5v]

REMEDIA IN ARDUO MALA.
in prono esse.

Remedies are hard, damage is easy

Link to an image of this page Link to an image of this page [E6r]

Aetheriis postquam deiecit sedibus Aten,
Iupiter[1] heu vexat qum mala noxa viros.
Evolat haec pedibus celer & pernicibus alis,
Intactumque nihil casibus esse sinit.
Ergo litae proles Iovis hanc comitantur euntem,[2]
Sarcturae quicquid fecerit illa mali.
Sed quia segnipedes strabae[3] lassaeque senecta,
Nil nisi post longo tempore restituunt.[4]

Once Jupiter had cast Ate down from the heavenly abode, what an evil bane thereafter assailed poor man! Ate flies out fleet of foot with fast-beating wing and leaves nothing untouched by mishap. So Jove’s daughters, the Litae, accompany her as she goes, to mend whatever ill she has brought about. But they are slow-footed, poor of sight and weary with age, and so they restore nothing until later, after long passage of time.

Notes:

1. ‘Jupiter had cast Ate down’. See Homer, Iliad 19. 125ff.

2. ‘the Litae accompany her’. See Homer, Iliad 9.502ff. Ate means ‘Mischief’, Litae, ‘Prayers’. Ate was cast out of Olympus to bring harm to mankind, a personification of humans being led astray. The Litae were a personification of prayers offered in repentance.

3. Textual variant: luscae.

4. The woodcut is puzzling. Possibly the monster is supposed to represent Ate; in later editions she appears as a harpy-like figure. The Litae feature, in later editions, as old women. The old man presumably represents the suffering of mankind.


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  • walking - AA - female human figure [31AA2711] Search | Browse Iconclass
  • Slow Motion (+ emblematical representation of concept) [51MM1(+4)] Search | Browse Iconclass
  • Viciousness, Naughtiness (+ emblematical representation of concept) [57AA6(+4):54D4(+4)] Search | Browse Iconclass
  • Revenge, Requital, Retaliation; 'Vendetta' (Ripa) (+ emblematical representation of concept) [57AA741(+4):54DD4(+4)] Search | Browse Iconclass
  • Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules (+ variant) [92B143(+0)] Search | Browse Iconclass
  • other lesser deities of Heaven ~ destiny, fate, adversity: Litae [92G7(LITAE)] Search | Browse Iconclass

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