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Link to an image of this page  Link to an image of this page  [K8r p159]

Ex litterarum studiis immor-
talitatem acquiri.

Immortality won through literary pursuits

EMBLEMA CXXXII.

Neptuni tubicen (cuius pars ultima cetum
AEquoreum facies indicat esse deum)
Serpentis medio Triton comprenditur orbe,
Qui caudam inserto mordicus ore tenet.
Fama viros animo insignes, praeclaraque gesta
Prosequitur, toto mandat & orbe legi.[1]

Triton, Neptune’s trumpeter, whose tail shows him as a sea-monster, his face as a god of the sea, is surrounded by an encircling snake which bites on its own tail, gripped fast in its mouth. Fame follows after men of outstanding intellect and their noble achievements, and bids them be read throughout all the world.

Notes:

1.  The trumpet represents fame, the encircling serpent eternity.


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CUSTODIENDAS VIR-
gines.

Girls must be guarded

Vera haec effigies[1] innuptae est Palladis, eius
Hic Draco, qui dominae constitit ante pedes.
Cur divae Comes hoc animal? custodia rerum
Huic data, sic lucos, sacraque templa colit.[2]
Innuptas opus est cura asservare puellas,
Pervigili laqueos undique tendit amor.[3]

This is the true image of virgin Pallas. Her snake is here, positioned at his mistress’s feet. Why does this creature accompany the goddess? The task of guarding things was entrusted to it, and so it looks after groves and sacred temples. It is necessary to guard unmarried girls with ever-watchful care - Love lays his snares on every side.

Notes:

1.  ‘Image of virgin Pallas’. Pallas Athene, virgin goddess and protectress of the city of Athens, represented with helmet, spear and aegis. Pallas Athene was equated with Minerva, the Roman goddess of wisdom. Pausanias, Periegesis 1.24.7 mentions such a statue with a snake.

2.  See Macrobius, Saturnalia 1.20.3: ‘the snake with its keen and ever-watchful sight has assigned to it the custodianship of temples, shrines, oracles and treasures.’ Ancient Greek holy sites often housed a snake.

3.  ‘Love lays his snares on every side’ - a proverbial saying.


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