

In simulachrum Spei.[1]
A picture of hope
Quae Dea tam laeto suspectans sydera vultu?
Cuius penniculis reddita imago fuit.
Elpidii[2] fecere manus, ego nominor illa,
Quae miseris promptam Spes bona praestat opem.
Cur viridis tibi Palla? quòd omnia me duce vernent.
Quid manibus mortis tela[3] refracta geris?
Quod vivos sperare decet, praecido sepultis,
Cur in dolioli tegmine pigra sedes?
Sola domi mansi volitantibus undique noxis,
Ascraei[4] ut docuit musa verenda senis.
Quae tibi adest volucris? Cornix fidissimus oscen,[5]
Est bene cùm nequeat dicere, dicit erit.
Qui comites? bonus Eventus[6], praecepsve Cupido,
Qui praeeunt, vigilum somnia vana vocant.
Quae tibi iuncta astat, scelerum Rhamnusia[7] vindex,
Scilicet ut speres nil nisi quod liceat.
What goddess is this, looking up to the stars with face so glad? By whose brush was this image depicted? - The hands of Elpidius made me. I am called Good Hope, the one who brings ready aid to the wretched. - Why is your garment green? - Because everything will spring green when I lead the way. - Why do you hold Death’s blunt arrows in your hands? - The hopes that the living may have, I cut short for the buried. - Why do you sit idle on the cover of a jar? - I alone stayed behind at home when evils fluttered all around, as the revered muse of the old poet of Ascra has told you. - What bird is at your side? - A crow, the faithful prophet. When it cannot say, ‘All’s well’, it says, ‘All shall be well’. - Who are your companions? - Happy Ending and Eager Desire. - Who go before you? - They call them the idle dreams of those who are awake. - Who stands close beside you? - Rhamnusia, the avenger of crimes, to make sure that you hope for nothing but what is allowed.
1. From the 1536 Wechel edition onwards, the woodcut is revised: Nemesis is added, just peeping round the corner.
2. Elpidius is an invented name derived from Greek elpis, ‘hope’.
3. For Death’s arrows cf. [A34b065], [A34b066].
4. ‘the old poet of Ascra’, i.e. Hesiod. See Hesiod, Opera et dies 90ff. for the story of Pandora’s box or jar.
5. ‘a crow, the faithful prophet’. The crow was a bird of prophecy and an emblem of hope. Its caw was interpreted as cras, cras, ‘tomorrow, tomorrow’. Cf. the proverb, Quod hodie non est, cras erit: ‘What is not today shall be tomorrow.’
6. Bonus Eventus or Bonne Aventure, cf. Evento Buono in Ripa, Iconologia; also called ‘Success’ or ‘Happy Ending’.
7. Rhamnusia, i.e. Nemesis, who had a shrine at Rhamnus in Attica.
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- song-birds: crow (+ animals used symbolically) [25F32(CROW)(+1)] Search | Browse Iconclass
- plants; vegetation [25G(+331)] Search | Browse Iconclass
- plants and herbs: wheat [25G4(WHEAT)] Search | Browse Iconclass
- arm stretched forward (+ holding something) [31A2512(+933)] Search | Browse Iconclass
- arm stretched sidewards (+ holding something) [31A2513(+933)] Search | Browse Iconclass
- arm or hand held in front of the body (+ holding something) [31A2516(+933)] Search | Browse Iconclass
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- blindfold [31A3191] Search | Browse Iconclass
- sitting on an elevation - AA - female human figure [31AA2352] Search | Browse Iconclass
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- boy (child between toddler and youth) (+ nude human being) [31D11221(+89)] Search | Browse Iconclass
- adult man [31D14] Search | Browse Iconclass
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- symbols and personifications of Death [31F] Search | Browse Iconclass
- vestibule, hall [41A21] Search | Browse Iconclass
- fa硤e (of house or building) [41A31] Search | Browse Iconclass
- window [41A33] Search | Browse Iconclass
- wooden container: barrel, cask [41A775] Search | Browse Iconclass
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- dress, gown (+ men's clothes) [41D211(+81)] Search | Browse Iconclass
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Relating to the text:
- colours, pigments, and paints (with NAME) [22C4(GREEN)] Search | Browse Iconclass
- dream [31B3] Search | Browse Iconclass
- life versus death [31E5] Search | Browse Iconclass
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- painting (including book-illumination, miniature-painting) [48C51] Search | Browse Iconclass
- Nemesis (Adrastea) [92G2] Search | Browse Iconclass
- male persons from classical history (with NAME) [98B(ELPIDIUS)] Search | Browse Iconclass
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