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Link to an image of this page  Link to an image of this page  [N4v p200]

Le bouis.

XXXIX.

Tousjours verd est le bouis, & crespu par la cime,
La flute qu’on en fait rend son harmonieux:[1]
Link to an image of this page  Link to an image of this page  [N5r p201] Aux delices propre est de ceux qu’amour anime
Il paslit, aussi font tous povres amoureux.[2]

Commentaires.

Le bouis est le symbole d’amour, pource qu’il est
verd mais d’une verdeur pasle. Aussi les amoureux
esperent tousjours, mais ceste esperance n’est jamais
separee de doute & crainte. Le bouis est fort propre
à faire des flutes de toutes façons, l’harmonie des-
quelles fait quelquefois passer la fantasie aux amou-
reux.

Notes:

1.  For pipes of boxwood, see e.g. Ovid, Metamorphoses, 4.30.

2.  The lover should affect pallor and emaciation, as these will soften the lady’s heart; see Ovid, Ars Amatoria, 1.729ff.


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    Section: ARBORES (Trees). View all emblems in this section.

    Link to an image of this page  Link to an image of this page  [O8r p223]

    Morus.

    The mulberry

    Serior at Morus nunquàm nisi frigore lapso
    Germinat:[1] & sapiens nomina falsa[2] gerit.

    On the other hand, the mulberry is late, and never until the frost is past does it shoot; though wise, it bears a false name.

    Notes:

    1.  See Pliny, Natural History, 16.25.102: “the mulberry is the last of domesticated trees to shoot, and only does so when the frosts are over; for that reason it is called the wisest of trees”.

    2.  nomina falsa, ‘a false name’, reference to a supposed ‘etymology by opposites’: Latin morus ‘mulberry’ was equated with Greek μῶρος ‘fool’, but the tree was considered wise: see note 1.


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