
Ficta Religio.
False religion.
V.
Regali residens meretrix pulcherrima sella,[1]
Purpureo insignem gestat honore peplum,
Omnibus & latices pleno è cratere propinat,
At circum cubitans ebria turba iacet.
Sic Babylona notant, quae gentes illice forma,
Et ficta stolidas relligione capit.
A beauteous harlot reclining on a royal seat wears a robe resplendent with purple, the badge of honour. From a full bowl she passes round the cup of drink to all, and round about the drunken crowd sprawls in stupor. Thus they indicate Babylon, who with her alluring beauty takes in the doltish nations with false religion.
1. See Revelation 17:3 ff., which has influenced the illustration.
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- Idolatry; 'Idololatria', 'Religione finta' (Ripa) [11N41] Search | Browse Iconclass
- colours, pigments, and paints: purple [22C4(PURPLE)] Search | Browse Iconclass
- drunkenness [31B52] Search | Browse Iconclass
- whore, prostitute [33C52] Search | Browse Iconclass
- giving drink [41C121] Search | Browse Iconclass
- mug, beaker, goblet [41C322] Search | Browse Iconclass
- wine ~ alcoholic drinks [41C711] Search | Browse Iconclass
- dress, gown (+ women's clothes) [41D211(+82)] Search | Browse Iconclass
- throne [44B1212] Search | Browse Iconclass
- the scarlet woman, the whore of Babylon; she is usually sitting on a scarlet beast with seven heads and ten horns [73G491] Search | Browse Iconclass
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Antiquissima quaeque com-
mentitia.
The oldest things are all invented
VII.
Pellenaee senex, cui forma est histrica, Proteu,
[1]
Qui modò membra viri fers, modò membra feri.
Dic agè quae species ratio te vertit in omnes,
Nulla sit ut vario certa figura tibi?
Signa vetustatis, primaevi & praefero secli:
[2]
De quo quisque suo somniat arbitrio.
Proteus, old man of Pallene, whose outward appearance changes like an actor’s, assuming sometimes the body of a man, sometimes that of a beast, come, tell me, what is your reason for turning into all kinds of shapes, so that you have no permanent form as you constantly alter? I offer symbols of antiquity and the very first times, concerning which everyone dreams up what he will.
1. Proteus was ‘the Old Man of the Sea’, who evaded capture by constantly changing his shape. See e.g. Homer, Odyssey, 4.400ff.; Vergil, Georgics, 4. 405-10, 440-2; Erasmus, Adagia, 1174 (Proteo mutabilior). Vergil (Georgics, 4.391) describes him living near the headland of Pallene (on the Macedonian coast). The idea of Proteus as a gifted actor or mime-artist is taken from Lucian, Saltatio, 19.
2. signa vetustatis primaevi et...secli, ‘symbols of antiquity and the very first times’. Pallene (see n.1.) suggested a connection with the Greek word παλαιός ‘ancient’, as the name Proteus was supposedly connected with πρώτιστος, ‘the very first’.
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- historical epochs [23T0] Search | Browse Iconclass
- symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa) [48C901] Search | Browse Iconclass
- history and archaeology (+ invention ~ scientific research) [49K1(+55)] Search | Browse Iconclass
- Change (+ emblematical representation of concept) [51K1(+4)] Search | Browse Iconclass
- Invention, Inventiveness; 'Inventione' (Ripa) (+ emblematical representation of concept) [52A42(+4)] Search | Browse Iconclass
- Fantasy, Caprice; 'Capriccio' (Ripa) [52A44] Search | Browse Iconclass
- Proteus [92H4] Search | Browse Iconclass
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