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Link to an image of this page  Link to an image of this page  [F1v]

MULIERIS FAMAM NON
formam vulgatam esse
oportere.

A woman’s reputation, not her beauty, should be known to the world.

Alma Venus quae nam haec facies quid denotat illa,
Testudo molli quam pede diva premis?
Me sic effinxit phidias,[1] sexumque referri,
Foemineum nostra iussit ab effigie,
Quodque manere domi & tacitas decet esse puellas,
Supposuit pedibus talia signa meis.

Kindly Venus, what form is this, what does that tortoise mean, on which, o goddess, your soft feet rest? Phidias fashioned me like this. He intended the female sex to be represented by this image of me. Girls should stay at home and keep silence, and so he put such symbols under my feet.

Notes:

1.  Phidias’ statue of Aphrodite with one foot on a tortoise, set up at Elis, is mentioned by Pausanias, Periegesis 6.25.1. The tortoise is a symbol of ideal female domesticity, as it keeps silent and never leaves its house see Plutarch Coniugalia praecepta 32 (Mor. 142).


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Relating to the text:

  • Beauty; 'Bellezza' (Ripa) (+ emblematical representation of concept) [51D4(+4)] Search | Browse Iconclass
  • Taciturnity; 'Secretezza', 'Secretezza overo Taciturnità' (Ripa) (+ emblematical representation of concept) [52DD3(+4)] Search | Browse Iconclass
  • Good Behaviour (+ emblematical representation of concept) [57A1(+4)] Search | Browse Iconclass
  • Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ emblematical representation of concept) [59B32(+4)] Search | Browse Iconclass
  • male persons from classical history (with NAME) non-aggressive activities of person from classical history [98B(PHIDIAS)5] Search | Browse Iconclass

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Single Emblem View

Link to an image of this page  Link to an image of this page  [P3r p229]

Eloquence est plus excellente que force.[1]

Probleme.

Masse en main dextre, en senestre arc cornu,
Et du Lyon la peau couvrant corps nu,
C’est d’Hercules la forme, Mais tel art
Pas ne convient: qu’il soit chaulve, & vieillard.
La langue aussi de chainetes persée,
D’ond par l’oreille attraict gent, non forcée,
Link to an image of this page  Link to an image of this page  [P3v p230] Est ce pourtant que par faconde voix,
(Et non par force) aulx peuples donna loix?
Armes font place aux lettres. Car des coeurs
(Tant soient ilz durs) Eloquens sont vinqueurs.

C’est la description Lucianicque de Hercu-
les le Francois
, Par laquelle estoit figuré.
que Hercules avoit tant de peuples mis en son
obeissance, & tant de monstres, & tyrans
surmontéz par vive eloquence, & savoir le
gitime, & constitution de justes loix, Toutes
lesquelles choses les Grecz hont depuys de-
guisée [=deguisées] en faictz d’armes, & appropriées à
leur Hercules Grec, filz d’Alcmena.

Notes:

1.  This epigram is closely based on Lucian’s essay, The Gallic Hercules.


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  • extinct, 'historical' peoples (with NAME) [32B2(GAULS)] Search | Browse Iconclass
  • 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa) [48C90] Search | Browse Iconclass
  • Power of Eloquence; 'Forza sottoposta all'Eloquenza' (Ripa) (+ emblematical representation of concept) [52D31(+4)] Search | Browse Iconclass
  • Strength, Power; 'Fortezza', 'Fortezza d'Animo e di corpo', 'Fortezza del corpo congiunta con la generosità dell'animo', 'Fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'Forza' (Ripa) [54A7] Search | Browse Iconclass

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