Single Emblem View

Link to an image of this page  Link to an image of this page  [L8r p175]

Que la eloquencia es difficuliosa [=difficultosa] .

Ottava rhima.

Para escaparse d’el encantamiento
De Circes, diò una yerva[1] el excelente  [M]
Mercurio à Ulysses, cuyo entendimiento
Declaran ser el hablar eloquente.
Dizen que mal se arranca d’el asiento,
Por que ninguno acança [=alcança] facilmente
El bien hablar, mas tiene hermosas flores
Que son de la eloquencia los primores.

[Marginalia - link to text]Moly.

Notes:

1.  See Homer, Odyssey, 10.270ff. for the story of the encounter of Ulysses and his crew with the sorceress Circe on the island of Aeaea. The plant moly is described ibid, 302-6. See Emblem 130 ([A49a130]), for the effect of Circe’s poisoned cup. Cf. Erasmus, De Copia (Loeb edition, 1.91 D), where moly is interpreted as wisdom rather than eloquence. Cf. Coustau, ‘In herbam Moly, ex Homero’ ([FCPb073]).


Related Emblems

Show related emblems Show related emblems

Hint: You can set whether related emblems are displayed by default on the preferences page


Iconclass Keywords

Relating to the image:

Relating to the text:

Hint: You can turn translations and name underlining on or off using the preferences page.

Single Emblem View

Link to an image of this page  Link to an image of this page  [P4v p232]

Les Antiquitez sont controuvées.[1]

Apologie. Dialogisme.

D. Vieillard Proteu[2], qui has forme muable:
Homme par fois, puys beste dissemblable:
Quelle raison toute espece en toy mue:
Tant que tu n’has figure de tenue?
R. Je represente antique Poësie,
De qui chascun songe à sa phantasie.

Des choses anciennes, & mises hors de toute memoire: cha-
scun en songe, & en divine à sa phantasie: tellement que les au-
theurs ne s’ac
cordans, font une monstrueuse histoire ou fable
de variables formes, tel que les Poëtes faignent estre Proteus
dieu marin, fort vieulx, & muable en toutes formes.

Notes:

1.  In the 1549 French edition, this emblem has no woodcut.

2.  Proteus was ‘the Old Man of the Sea’, who evaded capture by constantly changing his shape. See e.g. Homer, Odyssey, 4.400ff.; Vergil, Georgics, 4. 405-10, 440-2; Erasmus, Adagia, 1174 (Proteo mutabilior). Vergil (Georgics, 4.391) describes him living near the headland of Pallene (on the Macedonian coast). The idea of Proteus as a gifted actor or mime-artist is taken from Lucian, Saltatio, 19.


Related Emblems

Show related emblems Show related emblems

Hint: You can set whether related emblems are displayed by default on the preferences page


Iconclass Keywords

Relating to the image:

Relating to the text:

Hint: You can turn translations and name underlining on or off using the preferences page.

 

Back to top