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Link to an image of this page  Link to an image of this page  [I4v p136]

In statuam Amoris.

A statue of love


Quis sit Amor, plures olim cecinere Poëtae,
Eius qui vario nomine gesta ferunt.
Convenit hoc, qụd veste caret. qụd corpore parvus.
Tela alasque ferens lumina nulla tenet.
Haec ora hic habitusque Dei est. Sed dicere tantos
Si licet in vates, falsa subesse reor.
Link to an image of this page  Link to an image of this page  [I5r p137]Eccur nudus agat? Divo quasi pallia desint,
Qui cunctas domiti possidet orbis opes.
Aut quî quaeso nives boreamque evadere nudus
Alpinum potuit, strictaque prata gelu?[1]
Si puer est, puerumne vocas qui Nestora[2] vincit?
An nosti Ascraei carmina docta senis?[3]
Inconstans puer hic obdurans, pectora quae iam
Trans adiit, numquam linquere sponte potest.
At pharetras & tela gerit, quid inutile pondus?
An curvare infans cornua dira valet?[4]
Alas curve tenet quas nescit in aethera ferre?
Inscius in volucrum flectere tela iecur.[5]
Serpit humi semperque virûm mortalia corda
Laedit,[6] & haud alas saxeus inde movet.
Si caecus vitamque [=vittamque] gerit, quid taenia caeco
Utilis est? idẹ num minus ille videt?
Quisve sagittiferum credat qui lumine captus?
Hic certa, at caeci spicula vana movet [=movent] .
Igneus est, aiunt, versatque in pectore flammas.
Cur age vivit adhuc? omnia flamma vorat.
Quinetiam tumidis cur non extinguitur undis
Naïadum, quoties mollia corda subit?[7]
At tu ne tantis capiare erroribus, audi.
Verus quid sit Amor, carmina nostra ferent.
Iucundus labor est, lasciva per otia: signum
Illius est nigro punica glans[8] clypeo.

Many poets in the past have told us who Love is, recording his deeds under many a name. This they agree on - he has no clothes and is small in stature, carries arrows, wears wings, but has no eyes. This is the appearance, the bearing of the god. But if one may contradict such mighty bards, there is falsehood lurking here, I think. Why ever should he be naked? As if garments would be lacking for a god who possesses all the resources of a conquered world. Or how could he, if naked, survive the snows and North wind blowing from the Alps, the fields stiff with frost? - If he is a boy, do you call a boy one who is older than Nestor? Maybe you know the learned poem of the old man of Ascra? A child is changeable, but he is stubborn - the hearts he has once pierced he can never leave of his own volition. He bears quivers and arrows - why this useless burden? Has an infant strength to flex the dreadful bow? - Or why does he have wings, when he does not know how to take to the air with them? He has no skill to direct his arrows at the liver of birds, but steals along the ground and always hurts the mortal hearts of men. Hard as stone, he never stirs his wings from there. - If he is blind and also wears a bandage, what does a blindfold do for a blind person? Surely he doesn’t see any less because of it? Or who would believe that anyone carries arrows when he is deprived of sight Love shoots straight, the blind shoot arrows at a venture. - He is fiery, they say, and has flames leaping in his breast. Then why is he still in existence? Flame consumes everything. Indeed, why is he not quenched by the swelling waves whenever he steals into the tender hearts of the Water Nymphs? In order not to be deceived by such great errors, do you listen and our poem will tell what Love truly is. It is a work of delight, the frivolous occupation of leisure hours. Its sign is a Punic fruit on a black shield.


1.  ‘snows and North wind...fields stiff with frost’. These are traditional hardships endured by the hopeful lover who finds the door shut against him. See e.g. Horace, Odes 3.10.

2.  Nestor, king of Pylos, who had outlived three generations of men, was a proverbial example of extreme old age.

3.  ‘the old man of Ascra’, i.e. the poet Hesiod who, at Theogony 120, describes Love as a primeval cosmic force.

4.  Variant reading: cornua dura, ‘the stiff bow’.

5.  The liver was held to be the seat of the affections.

6.  ‘hurts the mortal hearts of men’. Cf. Anthologia graeca 5.10, where Love attacks men, not animals.

7.  ‘the...hearts of the Water Nymphs’: a reference to the many legends of water nymphs and other water spirits succumbing to love.

8.  ‘Punic fruit’, i.e. the pomegranate. Possibly the connection here is the rough aftertaste it leaves and the likelihood of it being bad under its smooth skin. The pomegranate is a symbol of Aphrodite, the goddess of love.

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