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Link to an image of this page  Link to an image of this page  [F4r p87]

Que ninguno deve dexarse vençer
d’el tormento.

Ottava rhima.

Esta Leona en Athenas pintada
(Si no lo sabes) de Harmodio fuè amiga:
Que porque fuè de tal nombre llamada,
O por que fuè razon que ansi se diga
Su fortaleza, estuvo ansi formada.
Y por que d’el tormento la fatiga
No hizo descubrirla d’el secreto,
Sin lengua la hizo aquel pintor perfetto.[1]  [M]

[Marginalia - link to text]Iphicrates.

Notes:

1.  Harmodius and Aristogeiton conspired to kill Hipparchus, the brother of the Athenian tyrant Hippias. Harmodius was killed, Aristogeiton arrested and tortured. Also tortured was Leaena (‘Lioness’) a courtesan, beloved of Harmodius, as she too was suspected of being in the conspiracy. She however revealed nothing. After the fall of Hippias, the two men were treated as tyrannicides and bronze statues were erected in their honour (509 BC). To avoid appearing to honour a courtesan, the Athenians had Leaena represented by Iphicrates (or Amphicrates) as a lioness without a tongue, indicating both her name and the reason for remembering her. See Pliny, Natural History 34.19.72; Plutarch, De garrulitate 505E.


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  • tongue [31A22141] Search | Browse Iconclass
  • torture [44G330] Search | Browse Iconclass
  • Taciturnity; 'Secretezza', 'Secretezza overo Taciturnità' (Ripa) (+ emblematical representation of concept) [52DD3(+4)] Search | Browse Iconclass
  • Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'Gagliardezza', 'Valore', 'Virtù heroica', 'Virtù dell'animo e del corpo' (Ripa) [54A8] Search | Browse Iconclass
  • Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatà della Gloria' (Ripa) [59B31] Search | Browse Iconclass
  • names of cities and villages (with NAME) [61E(ATHENS)] Search | Browse Iconclass
  • (story of) Harmodius and Aristogiton representations to which the NAME of a person from classical history may be attached [98B(HARMODIUS & ARISTOGITON)3] Search | Browse Iconclass
  • male persons from classical history (with NAME) representations to which the NAME of a person from classical history may be attached [98B(IPHICRATES)3] Search | Browse Iconclass
  • female persons from classical history (with NAME) suffering, misfortune of person from classical history [98C(LAENA)6] Search | Browse Iconclass

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Link to an image of this page  Link to an image of this page  [O2r p211]

Ex pace ubertas.

Prosperity as the result of peace

EMBLEMA CLXXVIII.

Grandibus ex spicis tenues contexe corollas,
Quas circum alterno palmite vitis eat.
His comptae Alcyones[1] tranquilli in marmoris unda
Nidificant, pullos involucresque fovent.
Laetus erit Cereri, Baccho quoque[2] fertilis annus,
AEquorei si rex alitis instar[3] erit.

From fat ears of corn weave supple garlands, and let the vine encircle them with alternating stems. Decked out with these the halcyon birds build their nests on the wave of the glassy sea, and cherish their unfledged chicks. - The year will be rich for Ceres and fertile for Bacchus too, if the king is the image of the bird of the sea.

Notes:

1.  ‘halcyon birds’. For these see Aelian, De natura animalium 1.36; 9.17; Pliny, Natural History. 10.47.89-91; and for the legend of their transformation, Ovid, Metamorphoses 11, 410ff, esp. 728ff. Halcyons were supposed to build a nest and launch it on the sea at a time of calm peaceful weather provided for them about the time of the winter solstice. See Erasmus, Adagia 1552, Halcedonia sunt apud forum.

2.  ‘for Ceres...and for Bacchus too’, i.e. rich with crops of corn and wine.

3.  ‘is the image of the bird of the sea’, i.e. diffusing peace, love and concord. Before their metamorphosis into seabirds, Alcyone and her husband were a deeply loving royal couple ruling a peaceful country. This love persisted after the change, symbolised by the calm weather associated with their nesting.


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