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Link to an image of this page  Link to an image of this page  [N6r p203]

L’amandier.

XLIII.

Pourquoy, hastive, as-tu avant feuilles des fleurs?
Je hay ceux qui trop tost, & hors temps sont ja meurs.[1]

Commentaires.

L’amandier jecte ses fleurs avant ses feuilles: mais
aussi s’il survient du froid, ou quelque autre intempe-
rie de l’air, les fleurs tumbent, & par consequent l’e-
sperance du fruict est estaincte. Il est le type & le
symbole des esprits trop tost meurs: lesquels, à la ve-
rité, promettent bien beaucoup d’eux, estans doués
d’une tant heureuse memoire, & d’une dexterité
d’esprit du tout admirable. Mais quand ils sont par-
venus à aage viril, alors ou ils viennent hors du sens,
ou du moins ils sont entierement desnués de ces beaux
dons qu’ils avoyent en jeunesse.

Notes:

1.  See Quintilian (Fabius Quintilianus), Institutio oratoria, 1.3.3: “the precocious type of intellect never easily comes to fruition”.


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    Link to an image of this page  Link to an image of this page  [Q3r p245]

    Malus medica.

    The citron

    EMBLEMA CCVI.

    Aurea sunt Veneris poma haec: iucundus amaror
    Indicat, est Graecis sic γλυκύπικρος amor.[1]

    These golden fruits belong to Venus: the sweet bitterness tells us that. Even so is love glukupikros for the Greeks.

    Notes:

    1.  γλυκύπικρος, ‘bitter-sweet’, a concept often applied to Love in Hellenistic epigrams. See Emblem 111 ([A91a111]).


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    • Europeans (with NAME) [32B311(GREEKS)] Search | Browse Iconclass
    • Pleasure, Enjoyment, Joy; 'Allegrezza', 'Allegrezza da le medaglie', 'Allegrezza, letitia e giubilo', 'Diletto', 'Piacere', 'Piacere honesto' (Ripa) (+ emblematical representation of concept) [56B1(+4):56F2(+4)] Search | Browse Iconclass
    • Bitterness; 'Amaritudine' (Ripa) (+ emblematical representation of concept) [56BB11(+4):56F2(+4)] Search | Browse Iconclass
    • attributes of Venus (with NAME) [92C48(ORANGE)] Search | Browse Iconclass

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