
Antiquissima quaeque com-
mentitia.
The oldest things are all invented
VII.
Pellenaee senex, cui forma est histrica, Proteu,
[1]
Qui modò membra viri fers, modò membra feri.
Dic agè quae species ratio te vertit in omnes,
Nulla sit ut vario certa figura tibi?
Signa vetustatis, primaevi & praefero secli:
[2]
De quo quisque suo somniat arbitrio.
Proteus, old man of Pallene, whose outward appearance changes like an actor’s, assuming sometimes the body of a man, sometimes that of a beast, come, tell me, what is your reason for turning into all kinds of shapes, so that you have no permanent form as you constantly alter? I offer symbols of antiquity and the very first times, concerning which everyone dreams up what he will.
1. Proteus was ‘the Old Man of the Sea’, who evaded capture by constantly changing his shape. See e.g. Homer, Odyssey, 4.400ff.; Vergil, Georgics, 4. 405-10, 440-2; Erasmus, Adagia, 1174 (Proteo mutabilior). Vergil (Georgics, 4.391) describes him living near the headland of Pallene (on the Macedonian coast). The idea of Proteus as a gifted actor or mime-artist is taken from Lucian, Saltatio, 19.
2. signa vetustatis primaevi et...secli, ‘symbols of antiquity and the very first times’. Pallene (see n.1.) suggested a connection with the Greek word παλαιός ‘ancient’, as the name Proteus was supposedly connected with πρώτιστος, ‘the very first’.
Related Emblems

- Declaracion magistral sobre las Emblemas de Andres Alciato (1615), Najera: ANTIQUISSIMA QUAEQUE commentitia. | Open in other pane
- Emblemata (1621), Padua: Antiquissima quaeque commentitia. | Open in other pane
- Les Emblemes (1542), Paris: Antiquissima quaeque commentitia. Les devis de l’ancien temps. | Open in other pane
- Emblematum libellus (1542), Paris: Antiquissima quaeque commentitia. Was gar alt, ist gemeinklich erdichtet. | Open in other pane
- Emblematum libellus (1546), Venice: Antiquissima quaeque commentitia. | Open in other pane
- Los Emblemas (1549), Lyon: Que qualquiera invençion es muy antigua. | Open in other pane
- Emblemata (1550), Lyon: Antiquissima quaeque commentitia. | Open in other pane
- Emblemata (1551), Lyon: Antiquissima quaeque commentitia. | Open in other pane
- Toutes les emblemes (1558), Lyon: Les Antiquitez sont controuvées. | Open in other pane
- Liber emblematum ... Kunstbuch (1567), Franckfurt am Main: Antiquissima quaeque commentitia. Das aller eltst ist gemeiniglich erticht. | Open in other pane
- Emblemata (1591), Leiden: Antiquissima quaeque commentitia. | Open in other pane
- Emblemes (1549), Lyons: Les Antiquitez sont controuvées. | Open in other pane
- Emblemata / Les emblemes (1584), Paris: Antiquissima quaeque commenticia. Les chose du passé, controuvees, ou forgees à plaisir. | Open in other pane
- Les emblemes (1615), Geneva/Cologny: La plus part de ce que l'on dit de l'antiquité est controuvé. | Open in other pane
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Relating to the image:
Relating to the text:
- historical epochs [23T0] Search | Browse Iconclass
- symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa) [48C901] Search | Browse Iconclass
- history and archaeology (+ invention ~ scientific research) [49K1(+55)] Search | Browse Iconclass
- Change (+ emblematical representation of concept) [51K1(+4)] Search | Browse Iconclass
- Invention, Inventiveness; 'Inventione' (Ripa) (+ emblematical representation of concept) [52A42(+4)] Search | Browse Iconclass
- Fantasy, Caprice; 'Capriccio' (Ripa) [52A44] Search | Browse Iconclass
- Proteus [92H4] Search | Browse Iconclass
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Andreae Alciati Em-
blematum liber
secundus.
In divites publico malo.
Those who grow rich out of public misfortune
I.
Anguillas quisquis captat, si limpida verrat
Flumina, si illimes ausit adire lacus,
Cassus erit, ludetque operam. multum excitet ergo
Si cretae, & vitreas palmula turbet aquas,
Dives erit. sic iis res publica turbida lucro est,
Qui pace, arctati legibus, esuriunt.[1]
If anyone hunting eels sweeps clear rivers or thinks to visit unmuddied lakes, he will be unsuccessful and waste his efforts. If he instead stirs up much clay and with his oar churns the crystal waters, he will be rich. Likewise a state in turmoil becomes a source of profit to people who in peace go hungry, because the law cramps their style.
1. Cf. Erasmus, Adagia, 2579 (Anguillas captare).
Related Emblems

- Declaracion magistral sobre las Emblemas de Andres Alciato (1615), Najera: IN DIVITES MALO PUBLICO. | Open in other pane
- Emblemata (1621), Padua: In divites publico malo. | Open in other pane
- Emblematum libellus (1546), Venice: In divites publico malo. | Open in other pane
- Los Emblemas (1549), Lyon: Contra los que enrriqueçen con el mal comun. | Open in other pane
- Emblemata (1550), Lyon: In divites publico malo. | Open in other pane
- Emblemata (1551), Lyon: In divites publico malo. | Open in other pane
- Toutes les emblemes (1558), Lyon: Contre les riches au dommage public. | Open in other pane
- Liber emblematum ... Kunstbuch (1567), Franckfurt am Main: In divites publico malo. Wider die so reich mit andern schaden werden. | Open in other pane
- Emblemata (1591), Leiden: In divites publico malo. | Open in other pane
- Diverse imprese (1551), Lyon: In quegli, che si fanno ricchi con publico danno. | Open in other pane
- Emblemes (1549), Lyons: Contre les riches au dommage public. | Open in other pane
- Emblemata / Les emblemes (1584), Paris: In divites publico malo. De ceux qui s'enrichissent aux despens du public. | Open in other pane
- Les emblemes (1615), Geneva/Cologny: Contre ceux qui s'enrichissent du dommage publique. | Open in other pane
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- mud (soil type) [25D26] Search | Browse Iconclass
- eels [25F63] Search | Browse Iconclass
- sports, games and physical performances (+ requirements, necessaries ~ sports and games) [43C(+4)(STICK)] Search | Browse Iconclass
- fisherma [43C128] Search | Browse Iconclass
- 'Seditio'; 'Rebellione', 'Seditione civile' (Ripa) [44F0] Search | Browse Iconclass
- war and peace [45A] Search | Browse Iconclass
- Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa) (+ emblematical representation of concept) [54FF11(+4)] Search | Browse Iconclass
- Acquisition, Gain, Profit (+ emblematical representation of concept) [55A1(+4)] Search | Browse Iconclass
- Greed, Covetousness, Cupidity; 'Cupidità§ (Ripa) (+ emblematical representation of concept) [55CC11(+4)] Search | Browse Iconclass
- Violation of the Law [59CC1] Search | Browse Iconclass
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