
IN ADULATORES.
Flatterers
De Chameleonte vide Plinium naturalis historia
libro. VIII. Cap. XXXIII.

Semper hiat, semper tenuem qua vescitur auram,
Reciprocat Chamaeleon[1].
Et mutat faciem varios sumitque colores,
Praeter rubrum vel candidum.[2]
Sic & adulator populari vescitur aura,[3]
Hiansque cuncta devorat,
Et solum mores imitatur principis atros.
Albi & pudici nescius.
The Chameleon is always breathing in and out with open mouth the bodiless air on which it feeds; it changes its appearance and takes on various colours, except for red and white. - Even so the flatterer feeds on the wind of popular approval and gulps down all with open mouth. He imitates only the black features of the prince, knowing nothing of the white and pure.
1. This creature was supposed to feed only on air, keeping its mouth wide open to suck it in. See Pliny, Natural History 8.51.122. For the chameleon cf. Erasmus, Parabolae pp.144, 241, 252.
2. ‘except for red and white’. See Pliny, ib.
3. ‘the wind of popular approval’. This is a common metaphor in Latin, e.g. Horace, Odes 3.2.20, ‘at the behest of the wind of popular approval.’
Related Emblems

- Emblematum liber (28th February, 1531), Augsburg: IN ADULATORES.
- Emblematum liber (1534), Augsburg: IN ADULATORES.
- Emblematum libellus (1534), Paris: In Adulatores.
- Livret des emblemes (1536), Paris: In Adulatores. Flateurs.
- Les Emblemes (1539), Paris: In adulatores. Flateurs.
- Les Emblemes (1542), Paris: In adulatores. Flateurs.
- Emblematum libellus (1542), Paris: In adulatores. Der Fursten heuchler.
- Los Emblemas (1549), Lyon: Contra los aduladores.
- Emblemes (1549), Lyons: Contre les flateurs.
- Emblemata (1550), Lyon: In adulatores.
- Emblemata (1551), Lyon: In adulatores.
- Diverse imprese (1551), Lyon: Contra gli Adulatori.
- Emblematum libri II (Stockhamer) (1556), Lyon: In adulatores.
- Toutes les emblemes (1558), Lyon: Contre les flateurs.
- Liber emblematum ... Kunstbuch (1567), Franckfurt am Main: In adulatores. Vergleichung der Schmeichler und Zutüttler.
- Emblemata / Les emblemes (1584), Paris: In adulatores. Contre les flatteurs.
- Emblemata (1591), Leiden: In adulatores.
- Declaracion magistral sobre las Emblemas de Andres Alciato (1615), Najera: IN ADULATORES.
- Les emblemes (1615), Geneva/Cologny: Flatteurs.
- Emblemata (1621), Padua: In adulatores.
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- (story of) Pliny the Elder [98B(PLINY THE ELDER)] Search | Browse Iconclass
- breathing, respiration [31A22221] Search | Browse Iconclass
- colours, pigments, and paints (with NAME) [22C4(BLACK)] Search | Browse Iconclass
- colours, pigments, and paints (with NAME) [22C4(RED)] Search | Browse Iconclass
- colours, pigments, and paints (with NAME) [22C4(WHITE)] Search | Browse Iconclass
- Flattery; 'Adulatione' (Ripa) (+ emblematical representation of concept) [57AA6121(+4)] Search | Browse Iconclass
- Innocence; 'Innocenza', 'Innocenza o purit�' (Ripa) [57A631] Search | Browse Iconclass
- lizards: chameleon (+ animal(s) changing colour) [25F41(CHAMELEON)(+4831)] Search | Browse Iconclass
- lizards: chameleon (+ animals used symbolically) [25F41(CHAMELEON)(+1)] Search | Browse Iconclass
- Prolixity, Verbosity, Loquacity; 'Loquacit�' (Ripa) [52D4] Search | Browse Iconclass
- royal household; courtiers, retinue, train [44B152] Search | Browse Iconclass
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